I wasn't going to do this because it will end up being one of thoseposts of mine where I type way too much stuff and lose half a day, buthere goes anyway.I too have not studied the BH stuff in any detail.But I did check it out pretty seriously a few years ago and haveconvinced myself at least that I get the gist of it.1.
#The barry harris harmonic method for guitar pdf free#
Experts should feel free to better describethe process above.Gerry19.01.19 14:22. The b6 in the scales(above) or there to better accomodate that tension.Additionally, he considers the tonic state better expressed as a 6chord, which is made more ambiguous (and thus more liberated) by itsenharmonic relationship to relative minor.Good/bad/indiffierent: This embues the process with more ambiguity,particularly when it's applied to secondary dominants, II7, VI7, III7,etc.Again, my understanding of the whole of BH's unique vantage point isquite limited and casual. BH apparentyconsiders the diminished chord located half step below the root (or anyinversions thereof) to be a better tension state.
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The scales Kingsolver covers are:M6dim - R 2 3 4 5 b6 6 7m6dim - R 2 b3 4 5 b6 6 77th dim - R 2 3 5 b6 b7 77th b5 dim - R 2 3 4 b5 b6 b7 7But for me it's not so much about the scales per se, as about theunderlying rationale that (paraphrased) there is the tonic state, andthe tension state usually presented as II-V or V. I posted something similara week ago or so and in the meantime I just bought the thing and I'llsee what value it has when it arrives.Still, any thoughts on the matter(s) are welcomed.van19.01.19 10:59. It's just leaching in of its ownaccord.So I figured I'd take a look at the source. And I did incorporate some ofPasquale's input, though much of that didn't seem directly from Barry.Now, quite a while later, I find myself naturally drifting in and outof some of his M6dim and m6dim scales, as well as finding myselfconsistenly delvingh into dim and m6 harmony (including associated 9th,m7b5, #5b9, sus4b9 structures). Then I got Pasquale Grasso's videos and again found no greatsatori, but it was compelling. So 'get the joe pass book' or 'just learn standards', notnecessary.I went through Alan Kingsolver's version of BH material and though Ifound it very interesting and provocative, I didn't really incorporateit much.
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these in order to play guitar or jazz, but itintrigues.
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Has anyone hereabouts spent time with the Barry Harris instructionalmaterials? I see he has a 4-dvd 200-pg Part 1, and a Part 2 as well.Note I don't.need. It's been a long time since Albasani discarded one of my posts.